Between Light and Shadow
There's something pure about black and white - how it strips away the distractions of color and forces us to focus on form, texture, and the space between light and shadow. This series explores that duality through the lens of 3D illustration, where each piece walks the line between digital precision and artistic chaos.
What happens when you deconstruct an icon into perfect circles? My animated Batman piece answers this question, breaking down the Dark Knight into orbital pixels that dance between recognition and abstraction. Each frame tells part of the story, with the full animation revealing how order emerges from apparent chaos.
Standing among mirrors, a fractured Nataraja tells infinite stories. The sacred dancer multiplies and fragments, each reflection offering a different perspective on divinity and destruction. It's a meditation on how we see ourselves through the prisms of faith and fracture.
The series concludes with two pieces inspired by David Umemoto's work. His influence guided my exploration of geometric brutalism, though these illustrations took their own path through the concrete jungle of imagination.
The blog covers were an exercise in finding beauty in purpose. Three pieces emerged: one pure abstraction, another resembling a rose (though that wasn't the intent), and a third capturing what looks like metallic fire frozen in time. Sometimes our creations surprise us with their final form.
here I pushed the deformations to be more smokey.
This collection represents a journey through the possibilities of monochromatic 3D art. From pixelated superheroes to divine dancers, each piece explores how limitation breeds creativity. When you strip away color, you're left with the essence - the fundamental struggle between light and darkness that defines both art and life.
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